Cup

Source: Pennsic Traceable Art. Artist unknown.

Source: Pennsic Traceable Art. Artist: Roana d’Evreux.

Artist: Mathghamhain Ua Ruadháin.

Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Folio 67r.)

Source: Stemmario Trivulziano. Artist: Gian Antonio da Tradate. (Arms of di Moiolis, p 221.)

Source: Mamluk Emblems Online Corpus. Artist unknown. (Adapted from a photograph of the facade of a ruined house in Aleppo, dated to before 1497, depicting the emblem of Qānṣūh al-Yaḥyāwī.)

Source: Mamluk Emblems Online Corpus. Artist unknown. (Adapted from a photograph of the Caravanserai of Yūnus al-Dawādār in Gaza City, Palestine, dated to 1387, depicting the emblem of Amir Yunis Ibn ‘Abdallah al-Nawruzi.)

Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (Page 141.)

Source: Funeral Arms and Commissions for Visitations. Artist unknown. (Page 93.)

Source: Powell Roll. Artist unknown. (Folio 5v, arms of Argentine.)

Source: BnF MS Allemand 304. Artist unknown. (Page 438.)

Source: BnF MS Allemand 304. Artist unknown. (Page 603.)

Source: WappenWiki. Artist: Joakim Spuller. Adapted by Finellach.

The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.

Source: Wappenbuch der Arlberg-Bruderschaft. Artist: Vigil Raber. (From page 238.)

The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.

Source: Neustifter Wappenbuch. Artist: Vigil Raber. (Arms of Vollandt, page 151.)

The double cup design, with a pair of cups that stacked together, was called a "doppelbecher" in German, and was associated with weddings.

Source: Zurich Roll. Artist unknown. (Folio 3r, arms of Liebeneberg .) Adapted by Mathghamhain Ua Ruadháin.